Forfatter: Endresen, Signe

Serial Experiments: Close-Readings of Edvard Munch’s Det grønne værelset (1907)

150,00kr

Serial Experiments: Close-Readings of Edvard Munch’s Det grønne værelset (1907).

University of Oslo, Department of Philosophy, Classics, History of Art and Ideas, Oslo 2015, stor 8vo, orig. omslag, 182 s. tekst + upaginert bilag med 158 illustrasjoner, de fleste i farver, engelsk tekst, kort hilsen fra forfatteren på tittelbladet: «til […]! Signe», avhandling for graden Ph.D. i kunsthistorie.

«What if paintings, which are inherently and insistently material, could behave as a kind of open-ended and unstable theater, unfolding in time, space, and subject matter to different formulations each time they are viewed? Edvard Munch (1863—1944) created a group of paintings collectively known as Det grønne værelset (The Green Room, 1907, Munch-museet, Woll 781—787, ill. 1—7) that seem to operate in that way.» — fra introduksjonen

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Serial Experiments: Close-Readings of Edvard Munch’s Det grønne værelset (1907).

University of Oslo, Department of Philosophy, Classics, History of Art and Ideas, Oslo 2015, stor 8vo, orig. omslag, 182 s. tekst + upaginert bilag med 158 illustrasjoner, de fleste i farver, engelsk tekst, kort hilsen fra forfatteren på tittelbladet: «til […]! Signe», avhandling for graden Ph.D. i kunsthistorie.

«What if paintings, which are inherently and insistently material, could behave as a kind of open-ended and unstable theater, unfolding in time, space, and subject matter to different formulations each time they are viewed? Edvard Munch (1863—1944) created a group of paintings collectively known as Det grønne værelset (The Green Room, 1907, Munch-museet, Woll 781—787, ill. 1—7) that seem to operate in that way.» — fra introduksjonen

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