Performing the Bride: Gender and Self-Representation in Bernard of Clairvaux’s Sermones super cantica canticorum
150,00kr
Performing the Bride: Gender and Self-Representation in Bernard of Clairvaux’s Sermones super cantica canticorum.
University of Oslo, Faculty of Humanities, Oslo 2011, stor 8vo, orig. omslag, xii + 434 s., engelsk tekst, avhandling for graden Ph.D.
«Only during the past few years have scholars approached Bernard’s text by reading explicitly the bride as trope for Bernard himself, and not just as a de-individuated and de-gendered entity without reference to time or place. Closely associated with this approach are some recent contributions which emphasize, deploying gender theory, the significance and implications of purporting the bride as trope for the male. The present study seeks to pursue this line of interrogation.»
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Beskrivelse
Performing the Bride: Gender and Self-Representation in Bernard of Clairvaux’s Sermones super cantica canticorum.
University of Oslo, Faculty of Humanities, Oslo 2011, stor 8vo, orig. omslag, xii + 434 s., engelsk tekst, avhandling for graden Ph.D.
«Only during the past few years have scholars approached Bernard’s text by reading explicitly the bride as trope for Bernard himself, and not just as a de-individuated and de-gendered entity without reference to time or place. Closely associated with this approach are some recent contributions which emphasize, deploying gender theory, the significance and implications of purporting the bride as trope for the male. The present study seeks to pursue this line of interrogation.»
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