Et in Arcadia Ego: Representation, Character, and Pastoral in Shakespearean Romance.
Faculty of Humanities, University of Oslo, 2008, Acta Humaniora 330, stor 8vo, orig. omslag, 419 s., engelsk tekst, avhandling for graden dr. philos.
«My governing thesis is that Shakespearean romance is a startlingly complex dramatic genre in which the rich conceptual signification derives from the manner in which the plays’ narratives are represented, from the manner in which interpretive ambiguities undercut a straightforward, emblematic reading of the plays’ characters, and, most importantly, from the manner in which the conscious internal and external deployment of the pastoral topos proves subversive to the current prevailing view of the plays’ green worlds of healing and regeneration.»